The notebook-keeper of Florence and Milan: painter, anatomist, engineer — trusted the eye over every book and experience over every authority.
No degree, one obsession, and a company built so its own engineers could overrule him — which, in 1969, they did.
The painter of sunflowers and starry nights, who answered despair with the day's work and wrote love letters to the ordinary world.
Decides the exact feeling the audience must have, then engineers every choice backward from it — and shows you the bomb before it goes off.